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Exhibitions, works, references, products and films — in pictures, across every area.
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Documents From Post-War Society to AI Society How human competence is shifting
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Artworks · 2025 FOLDS IN GRID ARRANGEMENT
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Exhibitions · 2024 Projektspeicher
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Works · 2025 TRIANGLES CONNECTED IN OPEN FIELD 4490
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Videos And who asked you?
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Videos · 2025 St Maximilian Kolbe Church
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Videos · 2025 POST'S LOTTENTAL - IMMERSIVE ART
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Exhibitions · 2025 St Maximilian Kolbe Church DORNENSTAUB
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Documents The Decorative Paradox Is this art or decoration?
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Artworks · 2023 VERLUST
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Exhibitions · 2024 Post's Lottental
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Works · 2025 FRAGMENTUM 1660
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Videos Why art? Does it even matter?
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Videos · 2024 Birschel-Mühle
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Videos · 2026 Museum Wendener Hütte
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Exhibitions · 2024 Industrial Monument — Gasometer IKARUS - PAINTINGS
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Documents Transparent Art Jury — Form Quick, simple, clear
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Artworks · 2025 FOLDS WITH RULES
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Exhibitions · 2024 Tyde
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Works · 2024 IKARUS 1770
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Videos Envy and judgement among artists
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Videos · 2025 Kunstverein Duisburg
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Videos · 2024 Halle 205
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Exhibitions · 2025 The German Museum of Electricity Bruchkante Konkret
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Documents The Mislabelling but the entire social staging of being an artist
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Artworks · 2025 TRIANGLES CONNECTED IN OPEN FIELD
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Exhibitions · 2024 KUKLOCH Church and Art
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Works · 2022 WALD 100
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Videos My Contemporary Understanding of Art
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Videos · 2026 Museum Wendener Hütte
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Videos Studio Show 001
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Exhibitions · 2024 Tyde VERLUST - PAINTINGS
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Artworks · 2025 DORNENSTAUB
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Exhibitions · 2024 Tyde
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Works · 2025 TRIANGLES CONNECTED IN OPEN FIELD 4460
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Videos Representational vs Non-representational
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Videos · 2024 Projektspeicher
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Videos · 2025 Museum Westfälische Salzwelten Behind the scenes
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Exhibitions · 2024 Art Visits Church VERLUST - WALD - PAINTINGS
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Exhibitions · 2024 Birschel-Mühle
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Works · 2025 DORNENSTAUB 620
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Videos No growth without awareness and reflection
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Videos Heavy light meets a soundless concert
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Videos · 2024 Tyde
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Exhibitions · 2024 Halle 205 VERLUST - PAINTINGS
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Videos Künstlerhaus Dortmund
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Works · 2025 BORDERLESS 1610
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Videos Representation as a Justification for Art