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14094 Images
Exhibitions, works, references, products and films — in pictures, across every area.
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Artworks · 2025 FOLDS WITH RULES
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Videos · 2024 Projektspeicher
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Videos Preview — models for the Dockworkers project
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Sculpture Garden · 2026 Testdruck
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Works · 2025 TRIANGLES CONNECTED IN OPEN FIELD 4690
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Exhibitions · 2024 Industrial Monument — Gasometer
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Documents Post-Digital Model of Positing, after Tobias Post Looking is itself a form of positing
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Studio · 2026 Versatz
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Videos My Contemporary Understanding of Art
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Exhibitions · 2024 KUKLOCH Church and Art WALD - PAINTINGS
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Artworks · 2025 DORNENSTAUB
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Videos · 2025 Künstlerhaus Dortmund
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Videos · 2025 POST'S LOTTENTAL - IMMERSIVE ART
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Sculpture Garden · 2026 Testdruck
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Works · 2025 SQUARE, TRIANGLES CONNECTED 3400
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Exhibitions · 2024 Projektspeicher
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Documents The Cultural Fairness Model Institutions do not act — people do
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Studio · 2026 Himmel
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Videos What is art?
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Exhibitions · 2025 Artothek Oberhausen Ludwiggalerie Schloss Oberhausen
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Artworks · 2022 WALD
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Videos · 2023 Trailer for the VERLUST series Studio show
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Videos Studio Show 002 A small show of works
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Sculpture Garden · 2026 Testdrucke
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Works · 2026 UHRWERK 5500
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Exhibitions · 2024 Post's Lottental
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Documents The Decorative Paradox Is this art or decoration?
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Studio · 2026 Ring – Schiene
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Videos Why art? Does it even matter?
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Exhibitions · 2026 Forum Kunst & Architektur — Zeit fließt 70 Years of WBK — Uhrwerk
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Artworks · 2025 FALTUNGEN
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Videos · 2025 St Maximilian Kolbe Church
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Videos · 2025 Museum Westfälische Salzwelten Behind the scenes
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Works · 2025 FOLDS IN GRID ARRANGEMENT 1840
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Exhibitions · 2024 Tyde
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Documents The Double Break in the Chain of Artists A structural problem
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Studio · 2026 Ring – Kreuz
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Videos Amateur or Professional
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Exhibitions · 2024 Art Visits Church VERLUST - WALD - PAINTINGS
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Artworks · 2025 SQUARE, TRIANGLES CONNECTED
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Videos · 2025 KOPRODUKTIONSLABOR DORTMUNDER U
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Videos · 2024 Halle 205
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Works · 2025 TRIANGLES CONNECTED IN OPEN FIELD 3010
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Exhibitions · 2024 KUKLOCH Church and Art
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Studio · 2026 Ring – Reihe
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Videos Representation as a Justification for Art