Kreisel – Panorama
One work across two projections, 14 metres of image width
Visualisation of a fictional space – not a realised project.
A dark hall twenty metres long. On the end wall, “Kreisel” from the Sculpt Dark Color series runs as a continuous band across two projections – a single video, split between two projectors.
The scenario shows how a single work can carry an entire room. A wide band is cut from the centre of the work video and distributed seamlessly across two projections; together they form an image of 14 by just under 4 metres, with its bottom edge at 1.10 metres. The projectors hang horizontally from short cross trusses; the position of the image is set using lens shift.
Visitors enter the hall from a bright foyer. The white light of the projection falls on the floor, benches and visitors and makes the room legible without the need for any other light source.
Technical details
What it takes to build this space: dimensions, equipment, brightness.
Two Panasonic PT-MZ882 projectors with ET-ELW22 lenses (short-throw zoom), 8,200 lumens each, hang from cross trusses. Each partial image measures 7.00 × 3.94 m with its bottom edge at 1.10 m; the throw distance is 5.65 m (throw ratio 0.81:1, lens shift -45% vertical). Calculated luminance on the wall: approx. 95 cd/m². Alternatives, price range and all dimensions per device are listed in the equipment list; floor plan, section and axonometric view show the projection cones.
Room
The room of the scenario and how the images are placed in it.
- Room
- dark hall with foyer
- Configuration
- two landscape images side by side from one video (band from the centre of the image)
| Room | Width | Depth | Height |
|---|---|---|---|
| Hall | 20 m | 10 m | 6 m |
| Foyer | 20 m | 6 m | 4.3 m |
Projection
How the images are created: equipment, image size, distance and mounting.
2 × Projector
7 m × 3.94 m per image
- Bottom edge
- 1.1 m
- Distance
- 5.65 m
- Throw ratio
- 0.81 : 1
- Lens shift
- -45 % vertical
- Mounting
- on the truss
All partial images belong to one picture – one computer outputs them simultaneously and frame-accurately.
Real time and interaction
The film shows a recording. In the installation the work is computed live – and can respond to the space and its visitors.
- Computation
- live, in real time, on a high-end computer with a powerful 3D graphics card, NVIDIA RTX 4070 or higher; with many image surfaces also with several graphics cards
- Output
- all projectors in a room from one computer, as coordinated zones rather than separate videos
- Interaction
- 3D LiDAR scanners capture people and movement in the space; the work can respond to them
- Fitting
- mapping to the actual architecture – edges, columns, ceilings and floors
Brightness
Whether the image will be bright enough: luminance achieved against the target value. The line in the bar marks the target value.
2 × Panasonic PT-MZ882bright enough
- Luminance
- 95 cd/m²
- Target value
- 60 cd/m²
- required luminous flux
- 6,754 lm
- Luminous flux
- 8,200 lm
Equipment
The reference devices used for the calculations. Devices of the same class are equally suitable.
Panasonic PT-MZ882
- Lens
- ET-ELW22 (Short-Throw-Zoom)
- Luminous flux
- 8,200 lm
- Weight
- 18.6 kg
Alternatives (3)
| Model | Lens | Luminous flux | Luminance |
|---|---|---|---|
| Barco G62-W9 | R9801840 G lens 0.75-0.95:1 (Short Throw) | 9,500 lm | 110 cd/m² |
| Panasonic PT-REZ15 | ET-C1W400 (Weitwinkel-Zoom) | 15,000 lm | 173 cd/m² |
| Panasonic PT-RQ35K2 | ET-D3LEW200 / ET-D3LEW201 (Kurzdistanz-Zoom) | 30,500 lm | 352 cd/m² |
Price range and equipment list on request.
Drawings
Axonometric view, floor plan and section show the space and the projection cones.
Glossary
- Real time
- The image is recomputed at every moment, about 60 times per second, instead of being played back as a finished video.
- 3D LiDAR scanner
- Scans the space with laser light and captures people and movement in three dimensions – the basis of the interaction.
- High-end computer
- A computer with a powerful 3D graphics card – NVIDIA RTX 4070 or higher – that computes the image live and drives all projectors at once.
- Mapping
- Fits the projection to the actual geometry of the space so that image and architecture meet exactly.
- Throw ratio
- Distance divided by image width. At 0.8 : 1, the projector for an image 6 m wide stands 4.8 m away.
- Lens shift
- Shifts the image within the lens without tilting the projector – so it stays rectangular.
- Luminous flux
- How much light the projector emits, in lumens.
- Luminance
- How bright the image surface appears to the eye, in candelas per square metre. In a dark room, about 60 is enough.
- Bottom edge
- The height of the bottom edge of the image above the floor.
- Synchronised output
- Several projectors show parts of the same image; one computer outputs them simultaneously – computed live or as video.
Images
133 more in the archiveNew selection
Works used
1Discuss an installation for your venue
The scenario can be adapted to a real space – floor plan, dimensions, technology. Write and tell us where.
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